Water-jet cut and screen-printed glass panel, Glare, 2011, by Rachel Elliott, acquired by Perth Museum and Art Gallery in 2012 with an NFA grant of £1,200
Storefronts, grand old hotels, imposing buildings, a glasshouse, big trees … can you identify the places around Perth on a larger-than-life glass hare?
The images take you back in time to a Perth of days gone by. Get really close, the details of a hotel lobby stand out, from a distance the hare takes on a personality, the sight of battling hares in the fields of Perthshire.
The Perth Hare, or Glare, is a unique piece, twinning this iconic local creature with the historic images of the city itself. Always popular with our visitors, it forms the centrepiece of Dazzle, the current exhibition at Perth Museum and Art Gallery.
Like Cook’s Collection by James Maskrey, which was the subject of a previous post From Australasia – Antarctica (via Perth Museum and Art Gallery), Glare was created for the exhibition Trove, a collaboration with the Scottish Glass Society. Invited artists created new works inspired by artefacts from the museum’s reserve collection. Glare draws on both the natural history collection and the Magnus Jackson Photography collection. In creating it, Rachel Elliott incorporated several pioneering elements; it was the first time she had used the technique of water-jet cutting, the first time she had worked on such a large single piece of glass and the first time she had screen-printed kiln-fired enamels on this scale.
The glass collection at Perth Museum and Art Gallery is a Recognised Collection of National Significance based on the history of glass production in Perthshire; Glare is part of an initiative to extend the collection with examples of glass by contemporary makers.
Henriette Ebbesen Laidlaw
Digital Content Officer
Perth and Kinross Cultural Services