The Dandy, Dundee and Daddy McCartney

The Dandy print shirt and trouser suit, 2016, designed by Stella McCartney, acquired by Leisure and Culture Dundee in 2017 with an NFA grant of £517.


It all started with Twitter. It’s where I keep up-to-date with most museum-related news these days. Stella McCartney was releasing a new clothing line after approaching Beano Studios to collaborate for The Dandy’s 80th anniversary in 2017. It featured a trouser suit, t-shirts and a dress showing Korky the Cat, Dinah Mo and twins Cuddles and Dimples. We had to have it in the collection.

2017-125-1=2 Stella McCartney 'The Dandy' suitStella McCartney, The Dandy shirt and trouser suit, 2016. © Dundee City Council (Dundee’s Art Galleries and Museums).


The McManus: Dundee’s Art Gallery and Museum has a large costume collection with strengths in female Victorian costume and Dundee couture costumiers, including Miss Laing, active in the 1870s, and Maison Souter, active from the late 1870s to the 1920s.


1978-1645-1 jpegBodice and skirt by Miss Laing, 1873-77. © Dundee City Council (Dundee’s Art Galleries and Museums).

1976-659-1 jpegBodice and skirt by Maison Souter, c1894. © Dundee City Council (Dundee’s Art Galleries and Museums).

There was a burst of collecting during the 1970s and ’80s but little was added to the collection from the 1990s to the present. This could be an indication of changes in society and our throwaway culture but it is something that we aim to address. I am keen to develop this area of the collection by focusing on clothing made in Dundee or inspired by Dundee, hence Stella and her Dundee-centric DC Thomson collection.

The collaboration seems to have come about due to Dad, Paul McCartney’s, love of The Dandy, first issued on 4 December 1937. Dundee publisher DC Thomson & Co Ltd pushed the boundaries of what was acceptable for a comic at the time – figures of authority were mocked and slapstick humour was championed. Just before the comic ceased printing and went digital in 2012, Paul McCartney fulfilled a lifelong ambition when he featured in the comic alongside Desperate Dan and Bananaman.

Having successfully secured funding from the National Fund for Acquisitions we purchased the shirt and trouser suit towards the end of 2017. Now fully accessioned, it’s waiting for its first outing. The plan? Over the next year or so we are keen to redisplay some of the cases in The McManus to get more of the costume collection out on view, including the trouser suit. Stella, meanwhile, has continued her collaboration and, in keeping with 80th birthdays, has designed a range of kid’s clothing featuring Beano characters for Beano’s 80th this year.

Now, where did I put that NFA application form …


Carly Cooper
Curator (Social History)
Leisure and Culture Dundee



Desperately Seeking Dan

Christmas 1943 issue of The Beano published by D C Thomson, Dundee, acquired by Leisure and Culture Dundee in 2007 with an NFA grant of £145

Despite Dundee being home to such iconic popular characters as Desperate Dan and Dennis the Menace, not a single Beano or Dandy was to be found in the museum collection. In fact we didn’t have anything at all to represent D C Thomson, the company behind journalism in Dundee’s ‘3 Js’; jute, jam and journalism.


With responsibility for selecting objects for The Making of Modern Dundee in the redeveloped McManus Gallery, I set about filling this gap and found a Christmas 1943 issue of the Beano on ebay. With a cartoon on the front cover showing the Beano office and the old printing presses, it was a gift to interpretation!  It also contains some fascinating wartime propaganda. Cartoonist Dudley Watkins, who was responsible for Desperate Dan and Lord Snooty and His Pals, frequently lampooned both Hitler and Mussolini in episodes which saw them outwitted and humiliated by his characters. This issue carries an appeal to readers to help the war effort by recycling their comic: ‘To Adolf, here’s wishing you a terrible Xmas and a worse New Year. All our readers are saving all their waste paper to make sure you’re beaten in 1944’.

Through discussions with staff at NFA I knew I would have to move fast in order to receive financial support. I contacted the seller and he agreed to take the comic to a curator at Brighton Museum and Art Gallery who had kindly agreed to help with condition checking. I was now ready to bid. I had a good idea of how much other comics had sold for and managed to buy ours for just under our top price. Bidding in the final moments was nerve racking but we won.

The seller posted our Beano immediately and we were able to prepare it for display alongside other items from D C Thomson and a typewriter on loan from National Museums Scotland. The display has captured the interest of young and old and our Learning and Access team have used the idea of a comic strip to introduce schools groups to the gallery, helping to bring social and industrial themes to life for children.

My next challenge is to update the display and rest our Beano to prevent light damage – so I am now on the lookout for an interesting and aged Dandy!

Rhona Rodger
Curator (Social History)
Leisure and Culture Dundee